All posts by Thomas Scott

Thomas Scott was born and raised in Vancouver where he was given a rich experience in the arts thanks to his parents who are both visual artists. He attended Glendon College, York University, and finished a general arts degree. During this time Thomas became an ardent promoter of the electronic music scene in Southern Ontario and was a special events producer and d.j. for over a decade. After going back to University to complete an Honours Degree and Masters in Drama at Guelph University, 2004, Thomas worked freelance as an arts management consultant in New York City and Toronto. In 2006, Thomas moved to Edmonton to take the position as Program Director for Fringe Theatre Adventures for six years. Currently he is working as a professional dj in Edmonton and is an arts and entertainment advocate and promoter. Thomas produces special events as well as The Culture Collective, a music, film and performing arts variety show, with his partner Kris Harvey that focuses on showcasing the very best in emerging talent. Thomas also volunteers his time as Co-Chair with artsScene Edmonton.

Social Disdance Radio

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The Pandisco Manifesto – social disDANCE
Mar 13, 2020. Updated March 17, 2020

www.facebook.com/socialdisdance

“Just note that it is evolving. Speed is key, so a good plan now is better than a perfect one later.” Flattenthecurve.com

For the past 6 days, citizens, organizations, and all three levels of government, have been implementing rolling closures and cancellations with a view to slowing transmission of COVID 19. In a few short days, our movements in the world, our ways of working, traveling, caring for our children and elders, maintaining social boundaries, delineating who is allowed close, procuring basic necessities, cleaning our homes and bodies, and interacting with others in our communities, have all shifted beyond recognition. We are unsure if we, or those we love, will remain healthy. We are concerned for those fallen ill. The sense of precarity is palpable and deeply felt.

At the same time, this moment is already proving to be a crucible for innovation. As social disDANCE evolved over the last few days, it started to become clear our idea was no lone drop, but rather, part of the first countertides of creative adaptation and self-organization in our community and beyond. The waves were on the horizon – more and more examples of guerilla, ad hoc, often ingenious responses meant to solve for real problems, and keep us well and connected. Many of us were quickly prototyping the new social practices and offerings that might provide some physical, emotional, psychological support, sustenance and release to survive and thrive through the weeks and months ahead.

At time of this revision, the concept of social disDANCE has been evolving quickly over the course of 5 days. It was first conceived of in the growing awareness many social practices for individual and collective thriving, connection and expression could not be undertaken in their usual forms at this time… out of an awareness they were likely to be significantly disrupted for some time.

As we wrote the first version of this document, “Flatten the Curve” had just come online. The phrase “social distance” had just entered common parlance and has only begun to enter common practice. The rolling closures and cancellations kept coming as our idea took shape alongside. Coming together to sing, dance, worship, enjoy live performance, share food, teach, learn, play, exercise very quickly fell outside of safe-distance guidelines, excepting with the one, two or few people we share home with. Many people didn’t have such an inner circle at all. For workers in the performing arts, or in services that require human contact, there was growing awareness that new solutions and models to create income support were needed as speedily as we could think them up.

social disDANCE was conceived in this context. As a first-response contribution. As a kind of heartful community medicine. And it has evolved include the following defining elements.

social disDANCE is, first and foremost, an invitation to dance together, apart.

social disDANCE is an offering and a thoughtful, embodied, social experiment. It is a deeply-responsive, evolving, living collaborative concept and community practice. It is also a defined model in one important respect: our dance invitations are and will always be designed in line with evolving Flatten the Curve, directives vis a vis the evolving COVID 19 pandemic, self-containment and what constitutes safe distance.

social disDANCE is a fledgling collective of community organizers and creative producers, people who believe in the power of music, movement, and technology to bring us together, cultivate human connection, lessen anxiety and nurture a sense of individual and collective wellbeing. We are committed to social cohesion. We are also committed to breaking the chain of infection.

social disDANCE is a supported practice. For those who wish to use and organize around them, DJ-curated scheduled live streams will allow participants to know they are moving together with others, wherever they are across circumstances and geographies. We believe the simultaneity and coherence of our dance experiences can amplify our individual and collective wellbeing as we participate together.

social disDANCE is also an invitation to a DIY safe-distance dance with one, two or a few in at home or outdoors. Anyone, anywhere, anytime, to any music can dance together, apart, and join the social disDANCE movement in their own way.

socialdisDANCE is a social movement. We invite people: to dance with those they live or work with in spaces they continue to share, at safe distance. To dance 6 ft or more away from each other in duos, or small disperse groups in public outdoor spaces. To dance in their back yards with their families. Alongside other neighbours in their backyards. To dance on balconies in view of neighbours on their balconies. To use social channels to coordinate their communities to dance together to the livestream, and design to see each other – at a distance in outdoor space; in virtual space using online meeting platforms, phones, social channels. To use social media and communications platforms to share social disDANCE experiences. Our hope is that social disDANCE is a practice spreads exponentially through social disDANCERS to all who can benefit from it at this time.

social disDANCE is a human movement. We social disDANCE across ages, identities, geographies, circumstances.

social disDANCE represents a choice to find and amplify what still CAN be done in a time of much constraint. To participate is a creative act, and an act of resistance. Resistance to being demoralized by current events and the falling away, for a time, of structures we’ve relied on. We don’t know what’s ahead exactly. But we’ll be dancing while we solve for it. Join us.

social disDANCE
Toronto, ON
March 17, 2020

House of Hush Live Stream Show March 20, 2020

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This is a first for me and I am thrilled to be a part of a digital cabaret by the illustrious creatives of House of Hush Burlesque. Join a vivacious cast of some of Edmonton’s best burlesque dancers and my self playing two sets in between performances. It will be LIVE streamed on Instagram and Zoom at 8pm MDT. A donation link will be provided if you feel so inclined to support these fantastic performers who will be entertaining you to the comfort of your own home from theirs.

www.houseofhushburlesque.com

Important Message Regarding The COVID-19 Pandemic

I am writing this post in solidarity with my colleagues, industry peers and clients, to let you know I am with you. As a result of recent events with the COVID-19 pandemic, most of my bookings have been canceled for the next eight weeks with more cancelations and postponements anticipated to come. To all my clients and business associates, I will be contacting you about how we will move forward with this together and look to reschedule when it is over.

This will be an interesting time for all of us, as we weather this storm. It will be a struggle, however this will also be a time for a reset, reflection, re-evaluation, recalibration, re-imagining, refocus, rebalance not only on a business tip, but creatively, personally and spiritually. I wish you all well to your families, friends and yourself. Let’s all look forward to a big ol’ dance party when this blows over. Peace and love.

Facebook: Thomas Culture

Evolution Wonderlounge All Tease All Shade Afterparty March 13, 2020

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This Friday I’m DJ’n at Evolution Wonderlounge after All Tease All Shade presents: The BIRDS and the BEES. It is a rare open format, all bets are off, disco through the ages and current top songs that slap, DJ set. So come on and get ready! Slide into Spring with one of Edmonton’s best all queer shows and then dance the night away with me at the helm, the merchant of nostalgia and purveyor of the get down. Let’s go!

Evolution Wonderlounge

Nerd Nite Edmonton #55 February 18, 2020

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This Nerd Nite, we’re smashing together pop culture, public service and not knowing what we want. Hopefully, by the end of the night, we WILL know what we want. Or at least know why we don’t really know what we actually want. Confused? Us too.

Our topics and presenters include:

How to Prosecute Thanos with Gregory Pang

Ambulance Dispatch: The most important thing is to know where you are with Monica Davis

Do You Feel Like Your Life Is Out of Your Control? You’re Right! with Bryan Saunders

Be there AND be square!

https://edmonton.nerdnite.com

A Valentine’s Violette Underground February 16, 2020

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Tickets available at https://violetteundergroundfeb16.eventbrite.com

A Valentine’s weekend Burlesque Show & Cocktail Pairing presented by the Violette Underground and Woodwork

3 Burlesque Performers, 3 Cocktails. Woodwork and The Violette Underground are collaborating to bring you a decadent Valentine’s speakeasy affair. Hosted in downtown Edmonton at Woodwork, the event will feature three longform burlesque performances expertly paired with a flight of three custom craft cocktails, created by Woodwork’s award-winning mixologists. A night of decadence and glamour! Perfect for couples or for an anti-Valentine’s night out with friends.

8:30pm Doors
9:30pm Burlesque show and cocktail pairings
Early bird tickets: $100 per person (or $90 for a bar seat)
Full price tickets: $120 per person (or $105 for a bar seat)

Early Bird tickets available until sold-out. Limited quantities available.

Your ticket includes the burlesque show with 3 cocktail pairings.

Small plates, bar snacks and drinks will also be available for purchase before and after the show.

Dress code: formal/cocktail attire.

Note, Woodwork is an intimate venue: we are expecting to sell every seat for this event. Please purchase tickets as a group if you wish to be seated together. Please note, tickets are non-refundable.

This is an 18+ show with burlesque, which involves mature themes and partial nudity.

Feel free to email us if you have any questions not covered here: hellothere@violettecoquette.com